The Plein Air Painters of The Southeast

  A professional artist organization dedicated to the preservation 
& continuation  of the traditional method of painting en plein air;  out-of-doors, on location.  
                                                                           
  

 

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Fall Barn 8x10 oil on canvas

The Perennial Appeal of Farmlands
by Roger Dale Brown. OPA (Past President of PAP-SE)

I love to paint all types of rural subjects, whether natural or man-made, 
mostly because it allows me to paint outdoors. Rural themes, such as 
old barns and cows standing in the field, never seem to lose their 
visual interest. The familiarity of farmlands is comforting not only 
to me, but also to most viewers.

In paintings, however, rural landscapes can look a little hokey if 
the artist gets too caught up in the details of the subject matter 
rather than looking for a more artistic angle. Since I am aware 
that farmlands have been depicted in highly rendered and 
clichéd ways over the years, I approach rural scenes by finding 
goergacowsoptimized, brown.jpg (101489 bytes)
the artistry and mood in the subject.  

The way I do this is to define what i
n the scene interests me, and then I think 
of the subject abstractly—not acknowledging 
that a cow is a cow, but rather just another 
object or shape to be painted in patterns of 
light, shadow, color and value. By painting a 
cow or barn into the landscape—instead of as a 
separate object that stands on its own—it lends a cohesiveness 
or unity to the painting. 

When painting landscapes, I first define the big masses such as 
a hillside, a mass of trees, the ground plane and sky. Then I paint 
the patterns of light, shadow and midtones within these big planes.
 I look for any temperature shifts in color, and also for reflective light, 
that I could paint to make the patterns more interesting.

Light plays the biggest role in capturing the beauty of rural landscapes. 
I love to paint in the early morning and late afternoon. 
A barn or shed backlit by the setting sun can really play up the mood 
of the scene: roofs, windows, fences and trees can come to life 
with such quality of light.
 

Texture is another element that can enliven a rural landscape. 
The rich and textured patina of aging tin roofs and weathered 
wood makes it easy to convey a rustic, earthy mood, allowing 
the viewer to feel the environment.

If the viewer reacts to the scene on canvas the same 
way I did while painting it, then I've accomplished my 
goal of sharing the enduring beauty and artistry of a rural landscape.

See more of Roger's paintings             Read other member's articles

 

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                                                  No reproductions of any artists work permitted for any use without express written permission from the artist.